William Roberts

In 1916 Roberts enlisted in the Royal Artillery as a gunner, serving on the Western Front. Having been told that artists were being chosen to do war paintings for the Canadian War Records Office, he applied, and in 1918 was 'loaned' to the Canadians for six months as an official war artist. He was subsequently also commissioned by the British Ministry of Information, for whom he painted A Shell Dump, France (1918–19; Imperial War Museum, London).His experiences at the front – touched upon in his memoir '4.5 Howitzer Gunner' – shifted the direction of his work, and significant pieces from his wartime output, such as the powerful Canadian commission The First German Gas Attack at Ypres (1918), dramatically depict the horror of war and are possibly the most acerbic produced by any of the British artists employed under the government’s schemes. Indeed they are bitter enough to rival the social realism of the German artists Otto Dix and George Grosz, and are possibly in a class of their own for their portrayal of the arduous – and occasionally deadly – life in the firing lines.

Roberts war pieces almost seem playful yet they tell a story of the destruction and devastation caused by the first world war,his colour choice is bright and very out there,whereas alot of other war artist use dull dark colours such as black and grey.